Are you feeling the call to write more optimistic science fiction? You’re not alone. Join this panel to discuss stories that envision a brighter world and how we can build it.

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Read more about Feeling Optimistic? Imagining Brighter SFF Futures

Writing for videogames, RPGs, and boardgames draws on some of the same skillset as writing fiction, but it can also include technical writing, specialized types of dialogue, and more. So what does it mean to _edit_ this kind of text? What techniques do editors use to ensure that the text of a game is clear, vivid, and effective?

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Read more about Editing Games

What is the future of the Caribbean? What kinds of futures are Caribbean writers imagining from the rich, complicated history of archipelagoes they call home? How are the African, European, Asian, and Indigenous aspects of Caribbean history, identity, and heritage incorporated in the stories and worlds of Caribbean creators? In this panel, we celebrate Caribbean writers and discuss the promise, challenges, and politics of speculative fiction set in or inspired by the Caribbean. We use an inclusive definition of the Caribbean to include everyone from indigenous peoples like the Kalinago, Taíno, Ciguayo, Guanahatabey, and Garifuna, to diasporic African peoples like the Yoruba, migrants from South and East Asia, and the European powers that colonized the region. Topics discussed include the race, religion, gender, sexual orientation, and the legacies of past and ongoing colonialisms in the region.

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Read more about Caribbean Futurisms

Our panel of debut middle grade and YA SFF authors share their experiences and insights on how to navigate the debut year. Tips for marketing to libraries and bookstores, how to set up launch events, and how to avoid marketing burnout.

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Read more about Navigating the Debut Year: Insights from Middle Grade and YA Authors

Hear from a panel of seasoned indie and small press published authors about their tips for creating a high-quality SFF book that rivals books produced by corporate publishing. Where do they source editors? What steps do they take to produce a book? Hear tips for when to do-it-yourself and what is best hired out to a professional.

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Read more about Beyond the 99¢ eBook: Producing Quality Indie SFF Novels

Building a big world? Learn ways authors can make their worlds feel vast and immersive for readers without losing track of the details.

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Read more about Creating Vast Worlds and Keeping Track of Them

Authors in traditional publishing, indie publishing, and self-publishing are all expected to do a tremendous amount of the lifting in their own promotion. This part of the job of being an author stirs lots of emotional issues for many authors. This session will explore how to identify your own brand as an author and harness the power of enthusiasm to bypass imposter syndrome and prioritize self-care while finding your audience. This course is taught by a painful introvert who manages to read as gregarious extrovert.

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Read more about Author Branding for Introverts and Imposters

In between traditional publishing and self-publishing lies the land of small press. Authors who’ve been published by small publishers and editors or directors of small publishing companies discuss the joys and stresses of taking part in this alternative path to publication.

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Read more about The Middle Path: Small-Press Publishing

Join us to explore how science fiction, fantasy, and other speculative genres can be used to challenge heteronormative assumptions and envision new possibilities for queer representation.

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Read more about The Queer Imagination: Using SFF to Explore LGBTQ+ Identities, Relationships, and Experiences

How do you know when a story shouldn’t be inflated or deflated simply to fit traditional market standards? What happens when a manuscript is too long for the short story markets, but too short to be considered a novel? This panel will blend craft and business to explore how authors can approach novella and novelette projects, as well as publication paths in an area with limited opportunities.

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Read more about The Case for the Awkward Length