Endings leave the reader with something — a feeling, a question, or an idea. How do you close your story so that you leave the lasting impact of your words on the reader? How much resolution is necessary? How much space past the climax is a good barometer for a proper cool-down?

How do authors successfully manage multiple projects in varying stages of completion, along with marketing, editing, family duties, job responsibilities, and, oh yeah, a healthy life? This panel is composed of writers with varied credentials who will talk about the perils of juggling projects and how they successfully navigate them without burning out and quitting.

One of the joys of hard science fiction lies in its opportunity to communicate science through storytelling. To communicate not only the exciting research and concepts, but also the practice of science, the joys and frustrations that come with being a scientist (anyone from any background who engages rigorously with those evidence-based philosophies of understanding the world).

Historically, hard science fiction has been dominated by viewpoints originating from western European and American thought written largely by white/cis/het men. And also historically, an environment of exclusion and gatekeeping, rather than inclusion and communication. This turns countless people away from hard science fiction, because they are told that if they cannot make it through poorly explained, dense, intentionally exclusionary science in stories, they are not meant for the subgenre.

In this panel we will discuss the term hard SF, its use, current state, and the future from a BIPOC lens.

Science Fiction often takes us to settings that are far, far away, but we live in a vibrant system of celestial bodies that can also inspire wonder. Whether it’s alternate Earths or planets like Mars, the asteroid belt or moons that orbit gas giants, there are great stories to be mined. Join these creators who have crafted science fiction stories that are set a little bit closer to home.