Urban Fantasy is the best genre ever! What are you even talking about? Space Opera forever! Pfft. You’re both wrong. Romance holds the largest share of the publishing market for a reason! Whatever. Epic Fantasy all the—STOP! We all have our personal preferences, both as readers and as writers. But what if instead of genre knockouts we explored genre mashups? This panel will explore the rich and vibrant spaces between genres and effective strategies for creating subgenre mashups that are greater than simply the sum of their parts.

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Read more about Genre Wars – Mashups Instead of Knockouts (In-Person Edition)

Perseverance. That’s the name of the game in publishing. The odds of “going viral” are akin to winning the lottery, and it often feels like agents and publishers only know the word “no.” Not to mention the options—so many options! Do I self-publish or query? What does writing to market even mean? Will changing genres mid-career be a game changer or a game over? Decision fatigue is real, but one thing is certain—if you want to “make it,” never give up, never surrender. It’s time to discuss perseverance in publishing and how to keep going when everything’s telling you to stop.

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Read more about Never Give Up! Never Surrender!

So often, we can feel alone on our publishing journeys. How do we make friends? Where do we find help and support? Let’s talk about beginnings: How and where do we find our people, especially when we may be battling distances, introversion, and/or imposter syndrome? What are the best ways to reach out to and work with each other?

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Read more about Collaboration and Building a Publishing Community

The core of any game is interaction design: how the players interact with the game to cause change. Indie game developers push the envelope, challenging expectations around mechanics and narrative choices to offer players a richer, deeper engagement with the text. In this panel, game developers discuss innovative approaches to player choice and agency, how those approaches affect narrative, and how broadening the possibilities of interaction can have real-world impacts.

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Read more about Innovating Interaction: Indie Design and Player Choice

Urban Fantasy is the best genre ever! What are you even talking about? Space Opera forever! Pfft. You’re both wrong. Romance holds the largest share of the publishing market for a reason! Whatever. Epic Fantasy all the—STOP! We all have our personal preferences, both as readers and as writers. But what if instead of genre knockouts we explored genre mashups? This panel will explore the rich and vibrant spaces between genres and effective strategies for creating subgenre mashups that are greater than simply the sum of their parts.

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Read more about Genre Wars: Mashups Instead of Knockouts (Online Edition)

As scientific breakthroughs and social shifts redefine what’s possible, today’s speculative writers are reimagining how we craft stories and futures that feel both visionary and grounded, generating bold new ideas while honoring the legacies of those who came before. This panel explores some of the most urgent questions at the heart of modern sci-fi: When does getting the science right enhance a story, and when does it weigh it down? What legal or ethical issues should sci-fi writers consider today? And how can the genre help us prepare for, or even shape, the world ahead?

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Read more about Writing in the Evolving Genre of Sci-Fi

Writers of all types have so much in common: the love of a precise word, a complex rhythm, an agonizingly well-turned phrase. Where do poetry and prose overlap, and how do they differ—most importantly, what can these writers learn from each other?

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Read more about Poetry and Prose

Second person fiction is often considered “artsy” and “difficult,” but it can also produce uniquely powerful, affecting stories. Authors Rachel Swirsky (“If You Were Dinosaur, My Love”; “A Memory of Wind”) and P H Lee (“The V*mpire”; “Your Own Undoing”), plus perhaps a mystery guest, will discuss a variety approaches to writing fiction in the second-person, including but not limited to you-and-I, ultra-close interiority, and reader-as-character. They’ll cover the effects on reader experience, benefits and obstacles in the writing process, and how to elevate your second-person story game.

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Read more about The Second Person and You

Please join our Board of Directors, staff, and key volunteers as they share about SFWA’s ongoing projects, where the organization is going, and respond to your questions. We’re excited to share more about SFWA with all of you.

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Read more about SFWA Business Meeting 2024

Emily Jiang, Kanishk Tantia, James Beamon, and Nelly Geraldine García Rosas talk about the essays they contributed to the Publishing Taught Me anthology with its chief editor, Nisi Shawl. The conversation will also cover the anthology’s entire scope and how the ideas of inclusiveness and diversity leave their mark on our genre, their lives, and our community as a whole.

Read more about Publishing Taught Me: Our Inclusive Community